Coming To The End

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I’ve got good news to report. The mastering is almost done! My mastering engineer, Trevor Sadler, and I have been working diligently on this project with the same two objectives in mind that have been there from the very beginning of this project:

First, I am committed to remaining authentic to the original vision and recording of the first Skafish album. Second, at the same time, attaining the highest audio quality and fidelity possible is essential.

Some of you have asked the question of why we were mastering from both never-before-played vinyl and the final studio tape mixes. I’ve had people wonder why I felt the need to master from both sources.

There are several important reasons why we used both. First, we wanted to see which medium provided the best sound. And, it is clear that the tapes offer superior sound quality.

However, the flat vinyl master still continues to provide a valuable purpose. That transfer is the exact record everyone has heard and is familiar with since 1980. It is authentic.

So, with the intention of remaining true to the spirit of the original album, we have been able to compare the new studio tape master to the original flat vinyl transfer. That comparison gives us a solid, objective reference point to keep navigating from. It is a lot of extra work, but I feel it is necessary to get everything done correctly.

While we are putting the final touches on re-mastering, I wanted to let you know about something coming up soon where I will need your input. I am creating a survey. This survey is only for only those who are planning on buying the album (and not for those who don’t intend to purchase the record).

If you are planning to buy the album, I need to know what you want. Would you like the album to be available on vinyl, CD, digital, or in other formats? Are you interested in a limited edition re-release? Do you want signed copies? And, there will other questions as well.

Since this pressing will initially only be available through crowdfunding and pre-orders, I want to make sure that we get the numbers right. Please stay tuned for the survey – I am working on it!

As you may already know, I finally have over 250 followers on Spotify! Therefore, I can apply to gain control of my artist account there. Thanks to all of you who have followed me there and who have spread the word. This means that I will have more control of what I can offer to you on Spotify. Also, please add my music to playlists on Spotify. It is a great help.

In the meantime, please spread the word about my music on social media. Spreading the word about Skafish is a subterranean grassroots movement that all of you are a vital part of.

It is so exciting to finally be able to see that we’re really coming to the end of the re-mastering process. It has been a lot of work — and well worth it for my fans. I will be in touch.

With gratitude,
Skafish


The Verdict: Is it Vinyl or Tape?

About a week ago, I promised an update to let everyone know just where the 1st Skafish album re-mastering project is currently at. And, for those of you who have just tuned in, let’s start with a little recap:

So far, two never-before-opened vinyl copies of the first Skafish album have been transferred to digital. Mastering engineer Trevor Sadler and I have listened to both, studied them and compared notes. Of these two, one pressing was from the United States and the other came from the United Kingdom. The vinyl transfers were promising.

However, there was still the unanswered question of the tapes. These would be the original tapes from the studio where the album was originally recorded that I talked about here. They are high-quality reel-to-reel tape dubs of the final master mixes. We wanted to see if they would sound better, worse, or the same as the vinyl transfers.

Current update – the tape transfers:
Trevor successfully transferred the tapes and sent me two copies in mid August. The first copy was a straight, unchanged flat transfer, meaning, nothing was done to adjust the sound whatsoever. The second copy had a small degree of mastering that Trevor had done. After listening to the second copy, it was pretty evident to both Trevor and I that the tapes sounded extremely promising. Proceeding from there, Trevor started working toward the final master.

Then, on Saturday, 9-3-16, I received and began listening to a more finished master made from the original tapes. This transfer further developed the album to be closer to a completed audio master, which involved such things as working with the treble/bass, overall EQ, balance, volume levels, compression, etc. That’s all technical jargon for getting the best sound out of the album possible.

So, what’s the verdict? It is absolutely clear that the studio master tape dub is superior in sound and quality to either of the vinyl masters – and that’s what I am going with.

I know this process has taken some time, but there are a lot of details to pay attention to as well as multiple sources we have needed to master from. The most important thing is not speed, but getting it right. Moving forward, there are a few tweaks and some details that still need to be taken care of. That’s in part because we need two separate masters: one for vinyl and the other for CD and digital. The vinyl and digital medium are notably different in terms of what they each require for a proper master. It’s important to me that both sound excellent.

When it comes to the audio master to the 1st album, there are two primary objectives I have in mind. First, I want to keep the sound authentic and loyal to the original album and its fans. Second, it is important to have the music work in the best way possible for both a vinyl and CD/digital release.

While the re-mastering is being worked on, there is something I would ask you to do for me. I am trying to gain control of my Spotify artist account, and I need 250 followers to do so. Currently, I have 111. Please follow me on Spotify. It doesn’t matter whether you have a free or paid account, because you can follow me with either type on Spotify. That will certainly help with making the 1st album project a reality, because I will be able to post updates, add pictures, playlists, and share things directly with the fans on Spotify.

I am not one who neurotically and obsessively posts about every little thing in a project, which is why you don’t hear from me constantly. In other words, I don’t believe that listening to the album at low volume versus high volume is worthy of a post, lol. My goal is to share substantial information with you that is relevant. Of course, you will be hearing from me as everything develops and comes together.

Your support has been miraculous.
Skafish


Hey What’s This – they say it’s your birthday

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Today is the birthday of the Skafish album What’s This? 1976-1979! Eight years ago on April 1, 2008, it became the first release on my label, 829 Records. Featuring recordings from August 1976 through November 1979, this record, in part, documents the early period of the Skafish band, featuring many subterranean gems that have never been released.

The album captures a snapshot of a revolutionary, transformational and turbulent time. This fact is clearly documented in the liner notes written by Rock and Roll Hall of Fame legends Cheap Trick.

Some of the tracks are the early versions of the songs that made it to my first album, and some people were upset about that. They wanted the first album, which I didn’t have the legal rights to re-release at the time.

Still, I am very proud of What’s This? as an objective historical document. When it comes to What’s This? 1976-1979, this record stands on its own and is truly like no other.

To those of you who have purchased the album, thank you so much! Please spread the word about this truly “out there” work of art. If you haven’t got it yet, take a listen on Spotify or you can buy it from our Bandcamp store.

For everyone who wants the first album, stay tuned! Now that I own all legal rights to the first Skafish album, I am in the process of raising the funds to re-master the record and hopefully, re-release it.

Skafish


Help re-master the 1st Skafish album without spending a dime

Obsessions pic from Spotify

As you may already know, I have been posting about getting the rights back to the first Skafish album and lately, talking about the re-mastering project.

Someone recently asked me what they could do to help get the first Skafish album re-mastered if they couldn’t donate money? It was a fantastic question, so I decided to talk about it a bit here in a post. Of course, financial support will get this project completed faster than anything, but there are still many things that you can do to help bring awareness to the project and help to move it forward.

HERE ARE SOME IDEAS:
Leave a great review: If you bought one of my albums, or listen to my music, please leave a positive review. People need to know why and how you have connected to my work and what it’s all about. It really helps to spread the awareness about the music and what I’m doing, which then helps to build the interest and the momentum needed to move the 1st Skafish album project along.

Spotify: We all know how essential Spotify is, because it’s a place where people can stream and listen to music for free.

It’s really important to follow me on Spotify. That’s because Spotify won’t give me control of my artist page until I have more than 250 followers. Having control of my artist page means I can directly communicate with fans there and let them know about the 1st album project.

Create and add my songs to a playlist. This helps to raise awareness of me as an artist and exposes the music to more listeners. Keep in mind that any increased awareness of me helps to promote the first album project overall.

If you can, share your Spotify listens of my songs on Twitter and social media as you’re listening. It’s a great conversation starter.

Spread the word and follow me on social media:

Follow me on social media, connect with me and tell a friend. The bigger my following, the more people I can get the word out to and the more chance there’ll be of getting the necessary support and funding for the re-mastering and re-release of the album.

It is important for people to know who I am, especially in relation to Chicago music history. If you were there back in the day, let people know how influential my band and I have been. Speak out about the context for the first album historically and how groundbreaking it was considered.

Let people know that I finally own the first album: Spread the word that I now own all legal rights to the album. A lot of people never realized that since I didn’t own it, I couldn’t put it out. I’ve got it back now and I want it out there – people need to know that. If the money is there, the plan is to re-release this as soon as possible.

Encourage others to help: Let everyone know that I’m trying to raise the necessary funds to re-master the record. If that can be done, then I can pursue the next steps to re-release it on vinyl, CD, and digitally.

Share the link on the re-mastering project: Please share the link on why I’m re-mastering the album so people can learn the back-story and find out what’s currently going on with the project. That post also lets people know how they can help.

I am really thrilled about the project and I want to see it happen. So many people have told me that they’re excited, too. Share your excitement – it’s contagious!

To everyone who is sharing and supporting this project, thank you so much for your continued involvement. — Skafish


Limited Edition What’s This? T-Shirt, Includes Free Album Download

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I wanted to let you know first that we are now offering the WHAT’S THIS FREAKIN’ $%&!? T-Shirt for sale exclusively through our Bandcamp store. This limited edition item, specifically designed to promote the What’s This? 1976-1979 album, has only been used for promotional purposes before. We have LIMITED QUANTITY AND LIMITED SIZES available.

T-shirt lettering says:
WHAT’S THIS FREAKIN’ $%&!?
www.skafishwhatsthis.com

We only had 300 made, and after they’re gone, that’s it. No more will ever be manufactured.Currently, we have 200 T-Shirts left to sell. Normally, we would sell this T-Shirt for $25, but we are happy to offer this item to you at the introductory price of $20.

The T-Shirt is:

  • 100% cotton
  • Black T-Shirt with white, distressed lettering
  • Pre-shrunk
  • Machine washable and tumble dry
  • Substantial quality
  • In a sealed plastic bag with air holes for freshness
  • Made by Tennessee River

Here are the amounts and sizes we currently have:

  • Large: 48
  • X Large: 123
  • 2X: 29

To purchase the t-shirt, click here.

coverAn as added bonus, this purchase also includes unlimited diigital streaming of the album What’s This? 1976-1979 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more!

Since this is ideal for the Skafish fan, pick up this very cool limited edition item at our Bandcamp store and continue being outside the norm.
Skafish



In The Hospital

#TBT: In July, 1977, I needed to have emergency knee surgery due to a dancing accident that caused a bone chip in my knee. Around 4 weeks later, I was back on stage performing my 21st birthday party concert. Check out the video that talks about the insanity of that time.

Hope you like it — Skafish


 

Happy 7th Birthday What’s This

coverI am thrilled this compilation finally was able to be born! Featuring the first underground/punk/new wave/alternative/indie recordings by a Chicago artist (dating back to 8/76), liner notes by rock legends Cheap Trick, and so much more, this is a timeless document of the multidimensional rebellion that has always been Skafish. Enjoy!

http://www.cdbaby.com/cd/skafish2