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Back In The Day/Current Events/News/Press

BOOTLEG 21-35 Review in Roctober Magazine

Posted by Skafish on

Check out the recent review of BOOTLEG 21-35 by Jake Austen in Roctober Magazine. As many of you already know, the bootleg is a live recording of my 21st birthday party concert at Ratso’s in Chicago on August 29, 1977.

The recording was released digitally 35 years later to the day on August 29, 2012. Click here to read the review:

Enjoy the madness — Skafish


Contests/Current Events/News

BOOTLEG 21-35 Contest Winners Announced!

Posted by Skafish on

It’s time. I know I said that I was going to select 10 random winners.

However….

Because of how truly touched I was by everyone’s unique and thoughtful posts, I’ve made a change in plans. Instead, there will be no drawing.

I’ve decided that EVERYONE IS A WINNER! That’s right! Everyone who posted a comment on my blog for the contest will win a free collectible download card with a unique code to be able to download BOOTLEG 21-35 in its entirety for free from CDBaby.com.

Please check your email so you can reply with your mailing address so your gift can be sent right out to you. Again, I deeply appreciate all of your words — Skafish


Back In The Day/Contests/Current Events/News

BOOTLEG 21-35 Giveaway Contest!

Posted by Skafish on

I’ve been itching to do a giveaway, so let’s do it!

Ten lucky winners will win a collectible download card with a unique code to be able to download BOOTLEG 21-35 in its entirety for free from CDbaby.com.

To be eligible to win, all you have to do is to leave a comment here on this blog post that says why you wanna win!

This is the first giveaway for this project and the contest ends May 7, 2013 at 11:59 PM, United States Central Time. Enter now, and I hope you win – Skafish

BOOTLEG 21-35, is the very first official live Skafish album. This recording documents Skafish’s 21st birthday party performance at Ratso’s in Chicago on August 29, 1977. The concert spotlights avant-garde musical concepts and an aesthetic vision that began in 1973, and features songs that were mostly composed and first performed throughout the Chicago area in 1976. This music, (along with the groundbreaking tracks from What’s This? 1976-1979), gave birth to the Chicago punk, new wave, alternative, indie, and underground scene, and helped to co-create these art forms internationally.

The bootleg concert consists of 27 total songs, 15 of which are original Skafish compositions that have never been released in any form prior. The album also offers 8 new Skafish-narrated commentary tracks that accurately capture the historical events of that time period. The album was first released digitally on August 29, 2012, thirty-five years to the day of the original concert.


Current Events/Musings/News

Beyoncé gets last laugh, sings National Anthem live at Super Bowl press conference

Posted by Skafish on

It’s ironic how the wave of popular opinion changes perhaps more swiftly than ever for or against an artist in today’s culture. Just days ago, many crucified Beyoncé for lip-synching the National Anthem at President Obama’s inauguration on January 21, 2013. In a smart PR move, Beyoncé decided to silence her critics by singing the National Anthem live and acapella at her Super Bowl press conference just yesterday, January 31, 2013.

So Beyoncé gets the last laugh — at least for now. The reason I say “for now,” is because the press, social media and people at large are always hungrily anticipating the next opportunity to turn on someone. As an artist myself who has been turned on more times than I can count, it’s always sort of looming out there. And it can be quite difficult to stop that momentum once it gets started.

But for now, Beyoncé proves what we all knew, which is that she sings well, and in literally a minute or two, she turned the wave of popular opinion back in her favor. At the moment, the fashionable position to take can be seen in quotes all over the press and social media such as, “Beyoncé kicks ass, “She proves her haters wrong,” and that the term “Beyoncé-gate” is ridiculous and overblown. As any artist knows, that wave is forever-changing and fleeting. Having been there myself, it’s never a matter of if, but when the next controversy arises.

Got anything to add?


Current Events/Musings/News

Beyoncé Lip-Syncs National Anthem for Obama Inauguration

Posted by Skafish on

As a voice teacher and singer, I was curious to check out Beyoncé singing the National Anthem for President Obama’s inauguration on January 21, 2013. The National Anthem is a hard piece to sing because it covers a wide range of an octave and a perfect fifth, which is greater than most songs.

As I listened to her performance, I thought to myself that her lowest notes were weak and airy. Her vibrato wasn’t spinning at the same rate throughout her range. On some notes it was faster, while on others, it was slower. However, I was quite impressed with Beyoncé’s sense of pitch; it sounded perfect! Well, there was a reason why….

Beyoncé lip-synced her performance to a recording she made the day before. Ah, no wonder why her pitch was perfect. Recently, there has been a practice of backing up instrumental performances in case of weather related or technical problems, so Beyoncé is not the first or only person to do this.

As I read through peoples’ comments about this on CNN, I was surprised that they were mixed. I initially thought that everyone would rip her apart. After all, this was the inauguration of the President of the United States, arguably the most powerful man on earth. Wouldn’t it make sense for there to at least be live singing for a couple of minutes for such an important event? While some people did criticize her, others were willing to give her a pass, based on things such as the fact that it was cold outside and that it could be hard to hear oneself sing in that environment.

It just goes to show that more and more, people want product perfect, and that they don’t care if it’s produced by technology. After all, people pay a lot of money to attend Britney Spears’  “concerts” that are lip-synced. Artistically speaking, if something happens frequently enough and long enough in our culture, it becomes more or less, accepted.

For me, I always go back to the fact that there was a time when technology couldn’t save an artist and that they had to get the job done. I would hope that if I was ever fortunate enough to sing for the inauguration of the President of the United States, that I would actually sing live for the minute or two that it takes to do the National Anthem.

What do you think: No lip-syncing allowed, or give the poor girl a break?


Back In The Day/Current Events/News

“The 35th Anniversary” (Video Commentary Track 8 From BOOTLEG 21-35)

Posted by Skafish on

“The 35th Anniversary” is the eighth video in a series of nine clips (including the complete version), which tell the story of the Skafish release, “BOOTLEG 21-35,” the first ever official live Skafish album.

In this clip, I discuss the milestone of releasing my 21st birthday concert at Ratso’s in Chicago from August 29, 1977 exactly 35 years later to the day. I also share the difference in my perspective from then to now.

For more information on “BOOTLEG 21-35,” visit http://www.skafishbootleg.com/

Commentary performed by Skafish

Engineered by John Carpenter at Thunderclap Recording, Hammond, Indiana

Filmed and Edited by Guy Rhodes

Special Thanks: Scott Cameron, Glinda Harrison, and to the band: Larry Mazalan, Karen Winner, David Prochazka, Greg Sarchet, and Larry Mysliwiec.

Enjoy! — Skafish

Back In The Day/Current Events/News

“Set 2: Tracks 6-10” (Video Commentary Track 7 From BOOTLEG 21-35)

Posted by Skafish on

“Set 2: Tracks 6-10” is the seventh video in a series of nine clips (including the complete version), which tell the story of the Skafish release, “BOOTLEG 21-35,” the first ever official live Skafish album.

In this clip, I discuss the musical, conceptual, and lyrical components of tracks 6-10 of the second set from my 21st birthday concert at Ratso’s in Chicago on August 29, 1977. I also talk about the personal, emotionally-driven and often cathartic aspects of why I wrote each of these pieces, and the contributions of my incredible band.

For more information on “BOOTLEG 21-35,” visit http://www.skafishbootleg.com/

Commentary performed by Skafish.

Engineered by John Carpenter at Thunderclap Recording, Hammond, Indiana.

Filmed and Edited by Guy Rhodes.

Special Thanks: Scott Cameron, Glinda Harrison, and to the band: Larry Mazalan, Karen Winner, David Prochazka, Greg Sarchet, and Larry Mysliwiec

I hope you enjoy the story — Skafish

Back In The Day/Current Events/News

“Set 2: Tracks 1-5” (Video Commentary Track 6 From BOOTLEG 21-35)

Posted by Skafish on

“Set 2: Tracks 1-5” is the sixth video in a series of nine clips (including the complete version), which tell the story of the Skafish release, “BOOTLEG 21-35,” the first ever official live Skafish album.

In this clip, I discuss the musical, conceptual, and lyrical components of the first 5 tracks of the second set from my 21st birthday concert at Ratso’s in Chicago on August 29, 1977. I also talk about the personal, emotionally-driven and often painful aspects of why I wrote each of these pieces, and the contributions of my incredible band.

For more information on “BOOTLEG 21-35,” visit http://www.skafishbootleg.com/

The commentary was performed at Thunderclap Recording, Hammond, Indiana, and engineered by John Carpenter. The piece was filmed and edited by Guy Rhodes.

Special Thanks: Scott Cameron, Glinda Harrison, and to the band: Larry Mazalan, Karen Winner, David Prochazka, Greg Sarchet, and Larry Mysliwiec

I hope you enjoy the unfolding story of the bootleg and the revolutionary spirit of its message,

Skafish

Back In The Day/Current Events/News

“Set 1: Tracks 7-11” (Video Commentary Track 5 From BOOTLEG 21-35)

Posted by Skafish on

“Set 1: Tracks 7-11” is the fifth video in a series of nine clips (including the complete version), which tell the story of the new Skafish release, “BOOTLEG 21-35,” the first ever official live Skafish album.

In this clip, I talk about the musical, conceptual, and lyrical components of tracks seven through eleven from my bootleg album, which were recorded at my 21st birthday concert at Ratso’s in Chicago on August 29, 1977. I also share the personal and emotionally-driven aspects of why I wrote each of these pieces, and the amazing contributions of my band members.

For more information on “BOOTLEG 21-35,” visit http://www.skafishbootleg.com/

The piece was filmed and edited by Guy Rhodes.

Special Thanks: Scott Cameron, Glinda Harrison, and to the band: Larry Mazalan, Karen Winner, David Prochazka, Greg Sarchet, and Larry Mysliwiec

I hope you enjoy the story — Skafish

Contests/Current Events/News

Skafish on “Flying Around the Sun”

Posted by Skafish on

I made my second appearance as a guest on WJOB radio’s “Flying Around the Sun” on September 6, 2012 in Hammond Indiana, where I was interviewed by show hosts Mark Mybeck and Phil Rapchak.

On the show, I discussed the recent release of BOOTLEG 21-35, the first-ever live Skafish album, which was recorded August 29, 1977 at my 21st birthday party performance in Chicago at Ratso’s. In addition to premiering tracks from the bootleg. I enjoyed giving away free digital copies of the album to those who called in by phone. For more info on the bootleg and purchasing options, visit www.skafishbootleg.com.

Among other topics, I talked about the history of my band and being a bandleader, my pioneering days in Chicago as the city’s punk/new wave/alternative and indie Godfather, and my role as a co-creator of these art forms internationally. I also discussed my relationship with IRS Records chief Miles Copeland.

The interview was streamed live and captured on film by Guy Rhodes.

 

Special Thanks: Glinda Harrison, and to the band: Larry Mazalan, Karen Winner, David Prochazka, Greg Sarchet, and Larry Mysliwiec

Enjoy the moment and share this with everyone who loves music outside the box!

Skafish

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