1st ALBUM RE-MASTERING PROJECT UPDATE
I just wanted to give everyone an update on the progress of the first Skafish album re-mastering project. So far, my mastering engineer, Trevor Sadler, has made several passes at transferring one of the never-before-played albums that I had. He is satisfied with the results, but he still feels that we can get a better master to build from.
I just sent Trevor a second, never-before-played Skafish album. He will perform transfers from this pristine vinyl record and that can be compared to the ones he already has done. He told me that he would like to see if he can get even higher fidelity and less noise. I can’t report how the transfers sound because I haven’t heard them yet, but I will keep you posted once I get them and start listening to them.
I have tremendous confidence in Trevor, who I’ve worked with since 2005. He has already mastered my holiday jazz album, Tidings of Comfort and Joy – a Jazz Piano Trio Christmas, my compilation album, What’s This? 1976-1979, and my live 21st birthday concert, Bootleg 21-35. Not only has he mastered records for artists such as Madonna and Nine Inch Nails, he also does a lot of edgy, indie projects as well.
In a previous blog post, I talked about how we are going with a preservationist approach in re-mastering the first Skafish album; meaning, we’re trying to keep it as much like it was as possible. Even though we’re not trying to “reinvent the wheel,” the re-mastering part of the project is taking a little longer than I had originally expected it to. That’s because Trevor and I are leaving no stone unturned in order to get this done right.
In the meantime, I’ve been working on the album art, evaluating manufacturers and putting together a draft project timeline and budget. However, I will only be able to set the final project timeline and budget once the re-mastering is complete. Make sure to sign up for the Skafish mailing list to be notified of all the project developments. At some point I will probably do a survey to find out what formats (vinyl, CD, digital, etc.) that everyone wants.
I will continue to rely on all of you to keep spreading the word about this project, my music and supporting me on social media.
Again, I have to extend a profoundly heartfelt level of gratitude to all of you who have contributed to the re-mastering project. Your financial support, spreading the word, enthusiasm and joy means more to me than you’ll ever know. It has made this one of the most enjoyable projects that I’ve ever been a part of. I am forever grateful.
Pic: Glinda Harrison